Typography


Typography can create layers of meaning. When you choose type styling that matches the message and tone you wish to convey, you can also subtly communicate personality and emotion. Our brand typefaces can add prestige, spirit, or familiarity when used thoughtfully and help refine the voice of KU that you represent.

Examples of typography for websites and email
Examples of mixing typefaces in a layout
Examples of more refined typography

Typefaces for the whole KU community

The primary typefaces listed below are available to KU communicators, staff, and faculty through our license with Adobe Creative Cloud. These fonts closely match our premium typeface selections but are easier to access and use if you aren’t a professional designer.

Primary brand fonts

With typography, our goal is to visually share information about KU’s dedication, creativity, and might. First, log in to your Adobe Creative Cloud account to access all of the fonts you’ll need. Then use the flexible duo of typefaces below for headline and subhead construction.

 

Also see the Baby Jay font stack.




Roc Grotesk

Roc Grotesk is a bold and precise sans serif with a range of five widths, which reflects the breadth of KU’s research. Use the wide width to give your statements a resolute punch.

Examples of the typeface, Roc Grotesk

Info

  • The license to Roc Grotesk is available to KU faculty and staff through our Adobe Creative Cloud accounts.

Links




Moret

Moret introduces an ethereal spirit of magic, inspiration, and imagination in the air.

Examples of the typeface Moret

Info

  • The license to Moret is available to KU faculty and staff through our Adobe Creative Cloud accounts.

Links


For designs that require additional flexibility, use Freight/Freight Text and Halyard/Halyard Text as supporting typefaces and body copy.




Freight Pro

Freight Display Pro is good for headlines, subheads, and display type. Freight Text Pro is good for body copy. KU uses Freight Pro as the serif typeface online and in email, but it can also be used for body copy in print. 

Examples of the typeface Freight.

Info

  • The license to Freight Pro is available to KU faculty and staff through our Adobe Creative Cloud accounts.

Links




Halyard

Halyard is good for headlines, subheads, display type, body copy, and captions. KU uses Halyard as the sans serif typeface online and in email, but it can also be used in print.

Examples of the typeface Halyard.

Info

  • The license to Halyard is available to KU faculty and staff through our Adobe Creative Cloud accounts.

Links

Typefaces for professional designers

The premium typefaces listed below are intended for advertising, out-of-home signage, and publications with a large audience. Licenses must be purchased for Gotham, GT Flexa, and United Sans.

Premium brand fonts

The primary brand fonts outlined above work very well for digital and print projects. Teams with professional designers and large projects could benefit from purchasing licenses for the premium brand fonts below, but the majority of KU Communicators will not find this necessary.

 

After licensing GT Flexa and United Sans, use the flexible trio of typefaces below for headline and subhead construction.

 

Also see the Big Jay font stack.




United Sans 

United Sans is serious, bold, and precise, which reflects KU’s research prowess.

Examples of the typeface United Sans.

Info

  • Licenses for use of United Sans are available for purchase through House Fonts.

Link




GT Flexa  

GT Flexa Extended gives your statements a resolute punch.

Examples of the typeface GT Flexa

Info

  • Licenses for use of GT Flexa are available for purchase through Grilli Type.

Link




Moret

Moret introduces an ethereal spirit of magic, inspiration, and imagination in the air.

Examples of the typeface Moret

In our type lockups for headlines and subheads, prioritize these fonts in the following order: 

United Sans Semi Condensed > Moret > GT Flexa Extended or Expanded.

Info

  • The license to Moret is available to KU faculty and staff through our Adobe Creative Cloud accounts.

Links


For designs that require additional flexibility, use Gotham Narrow and Freight/Freight Text as supporting typefaces and body copy.




Gotham Narrow

Gotham Narrow is very readable and legible. We recommend using it for body copy, but it also works at smaller sizes.

Examples of the typeface Gotham Narrow

Info

  • Licenses for use of the Gotham typeface family are available for purchase through Hoefler&Co.

Link




Freight Pro

Freight Display Pro is good for headlines, subheads, and display type. Freight Text Pro is good for body copy. KU uses Freight Pro as the serif typeface online and in email, but it can also be used for body copy in print. 

Examples of the typeface Freight.

Info

  • The license to Freight Pro is available to KU faculty and staff through our Adobe Creative Cloud accounts.

Links

Font stacks

Whether you’re using the primary brand typefaces, premium brand typefaces, or basic system typefaces, these font stacks can help you determine the correct order for fonts that appear in your designs and layouts.

For applications that don’t have access to brand platform typefaces, we use the system fonts shown in the Freshman stack. These system fonts are particularly helpful as part of HTML emails and PowerPoint decks with many contributors.

For most print and web applications, it’s appropriate to use the primary typefaces we already have licenses for through Adobe Creative Cloud. We call this the Baby Jay stack.

Professional designers have the option to use to the full range of premium brand platform typefaces, which we call the Big Jay stack. This requires licensing Gotham, GT Flexa, and United Sans.

Examples of KU font stacks, in three columns.
Examples of the three font stacks

About effective typography

 

Consider these guidelines when designing with type:

  • Pair different typefaces to create emphasis, texture, and a visual hierarchy. Good typography helps the reader navigate the text.
  • Use fonts, weights, color, and point size to tell a story.
  • Use plenty of surrounding white space.
  • Limit the number of styles and sizes to create consistency and support the visual hierarchy.
  • For greatest legibility, use 9- to 12-point fonts for print body copy and 12 to 16 pixels for web body copy.
  • Use 14 to 16 pixels for long-form digital copy.

 

Avoid designs that impede readability, such as:

  • Using all capitals in blocks of type of three lines or more
  • Condensing or expanding typefaces
  • Adding excess spacing between characters
  • Overusing emphases (if too many things are emphasized, nothing stands out)
  • Using type with drop shadows
  • Using outline type